The Harvest of Folie
The 7 Beggars companyAn adaptation of Rabbi Nachman of Bratslav’s tales Directing and adaptation: Michal GovrinProduction: Judith Graves MillerMusic: Daniel ShalitSet and costumes: Abraham Pincas, Joelle
Menu
Tag: Prayer
“Gog and Magog” – Laboratory Work
The creating artists: Michal Govrin – establishment of the Gog and Magog laboratory, writing and directingFrida Klepfholtz – design and presentationOrna Millo – installation and
Variations on Morning
The first part of the show consists of two short plays by Samuel Beckett: Breath and An Act Without Words No. 2The second part of
The Seder of This Night
Organized the Seder of the night: Frida Kalpholz, Michal Govrin, Doron Livne, Orna MilloSet the table: Frida KlepfholzIlluminated the Seder: Alan BachinskyOrganized the music: Steven
The Journey of the Year
Performance – students of the theater department of the Hebrew University, in collaboration with the Khan Theater Department of Theatre in The Hebrew University, Jerusalem
That Very Hour (In Hebrew)
The poems in “That Very Hour” exist on the border between reality, thought, and feeling. The material manifests while traveling through intimate, or very foreign,
Body of Prayer
Jacques Derrida, Michal Govrin, David Shapiro Design: Kim Shkapich Read and download the full book The “Advanced Concepts” course has been an integral component of
And So Said Jerusalem (In Hebrew)
By: Michal GovrinEngravings: Orna Millo Who’s Afraid of Jerusalem Who’s afraid of Jerusalem?Who loathes and despises her?Who execrates her, heart and tongue?Who says, What am
Instead of Kaddish
Today Jacques Derrida was buried in Paris. A life story laid to rest, sealed, closed. The end of a life bigger than life, life of
Jewish Literary Manifesto (in First Person Feminine)
1. Portrait of the artist as a young Jew: Tel Aviv – Paris – Jerusalem In both a literary and Talmudic spirit, I will present
Jewish Sacred Theater: Its Components and Its Means
Introduction – Theatre and Ritual In the following discussion on Judaism and theatre, I shall not deal with examples from the literature of Jewish theatre