{"id":5982,"date":"2021-11-17T15:23:06","date_gmt":"2021-11-17T15:23:06","guid":{"rendered":"https:\/\/new.michalgovrin.com\/m_essays\/in-the-bloom-of-her-day\/"},"modified":"2023-02-05T15:39:47","modified_gmt":"2023-02-05T15:39:47","slug":"in-the-bloom-of-her-day","status":"publish","type":"m_essays","link":"https:\/\/michalgovrin.com\/en\/m_essays\/in-the-bloom-of-her-day\/","title":{"rendered":"In the Bloom of Her Day"},"content":{"rendered":"\n<p><strong>Directed by: Michal Govrin<br>Set: <strong>Frida Goldberger-Klapholtz<\/strong><br>Music: Max Stern<br>Costume: Judith Westmor<br>Performed by: Rachel Levi<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>&#8220;In the Bloom of Her Days&#8221; is a theatrical adaptation of one of S.Y. Agnon\u2019s love stories. The play tells the story of Tirtza\u2019s love for Akavia Mazal, the beloved of her mother\u2019s youth. The story is narrated as a personal journal, in which Tirtza tells two love stories in parallel: her mother\u2019s and her own. On the stage, a single actress describes the happenings befalling Tirtza from the days of her mother\u2019s illness and death, until the time at which she herself is about to become a mother. The events are few, and are narrated with restraint and understatement, yet it is precisely these characteristics that accentuate the sense of destiny that pervades the story. The staging of &#8220;In the Bloom of Her Days aims to translate prose into theatre without any reworking or dramatization, preserving the original literary language of Agnon.<\/p>\n\n\n\n<p>[Extract from the program]<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"503\" height=\"1024\" src=\"https:\/\/new.michalgovrin.com\/wp-content\/uploads\/2022\/11\/\u05d1\u05d3\u05de\u05d9-\u05d9\u05de\u05d9\u05d4-\u05e4\u05e8\u05e1\u05d5\u05dd-\u05d4\u05d7\u05d0\u05df_page-0001-503x1024.jpg\" alt=\"\" class=\"wp-image-5990\" srcset=\"https:\/\/michalgovrin.com\/wp-content\/uploads\/2022\/11\/\u05d1\u05d3\u05de\u05d9-\u05d9\u05de\u05d9\u05d4-\u05e4\u05e8\u05e1\u05d5\u05dd-\u05d4\u05d7\u05d0\u05df_page-0001-503x1024.jpg 503w, https:\/\/michalgovrin.com\/wp-content\/uploads\/2022\/11\/\u05d1\u05d3\u05de\u05d9-\u05d9\u05de\u05d9\u05d4-\u05e4\u05e8\u05e1\u05d5\u05dd-\u05d4\u05d7\u05d0\u05df_page-0001-147x300.jpg 147w, https:\/\/michalgovrin.com\/wp-content\/uploads\/2022\/11\/\u05d1\u05d3\u05de\u05d9-\u05d9\u05de\u05d9\u05d4-\u05e4\u05e8\u05e1\u05d5\u05dd-\u05d4\u05d7\u05d0\u05df_page-0001.jpg 625w\" sizes=\"(max-width: 503px) 100vw, 503px\" \/><figcaption class=\"wp-element-caption\">From the publication of the Khan Theater<\/figcaption><\/figure>\n","protected":false},"featured_media":4338,"template":"","meta":{"_acf_changed":false},"categories":[138,137],"tags":[116,103,107],"class_list":["post-5982","m_essays","type-m_essays","status-publish","has-post-thumbnail","hentry","category-repertory-theater","category-theater-and-ritual","tag-eros","tag-feminine-en","tag-generations"],"acf":[],"_links":{"self":[{"href":"https:\/\/michalgovrin.com\/en\/wp-json\/wp\/v2\/m_essays\/5982","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michalgovrin.com\/en\/wp-json\/wp\/v2\/m_essays"}],"about":[{"href":"https:\/\/michalgovrin.com\/en\/wp-json\/wp\/v2\/types\/m_essays"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/michalgovrin.com\/en\/wp-json\/wp\/v2\/media\/4338"}],"wp:attachment":[{"href":"https:\/\/michalgovrin.com\/en\/wp-json\/wp\/v2\/media?parent=5982"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michalgovrin.com\/en\/wp-json\/wp\/v2\/categories?post=5982"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michalgovrin.com\/en\/wp-json\/wp\/v2\/tags?post=5982"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}